Monument
A Curatorial Practice for an Unfinished Nation
E iho ana o luna
The high will be brought low
E pi‘i ana o lalo
The low will be lifted up
E hui ana nā moku
The islands will be united
E kū ana ka paia
The walls shall stand upright
The state will do what the state does–we must do something else

The nation-state operates on control, spectacle, and exclusion. We do not compete with it. We exist alongside it–in kitchens, streets, living rooms, and forests.
We are not here to represent. We are here to gather.
To build community, to weave kinships.

Care over control

Curating is not about authority. It is about holding space–for grief, for silence, for the unspoken.
We do not claim to speak for the nation. We listen to its wounds.
To care is to let go of the need to be right, to be in charge, to be absolute.
To unfold with criticality, but more importantly, with kindness and gratitude.

Listen before you speak

The deepest knowledge lives in silence.
In the pause between words, in the hum of cicadas in the cemetery.
We begin not with a script, but with a circle–where elders, children, and strangers speak first.
Words are not always spoken. Sometimes they are carried in a glance, a gesture, a shared breath.
At times, they are inherited. To listen is to honor what has been buried.

Slowness as resistance

Speed is the language of power.
We practice slowness–with intent.
Let stories grow like roots.
Let objects age in the community.
Let food ferment, memories ripen, wounds heal.
Some things cannot be rushed. Some truths only emerge over time.

The archives as sanctuary

Archives are not neutral.
Who is remembered? Who is forgotten?
But they can also be places of survival.
We collect not only objects, but fragments–torn paper, a child’s drawing, a broken tool.
Can absence become presence?
To remember is to resist.

Nationhood is haunted

Nationhood is not a finished story. It is a wound that ruptures still.
It lives in the past, but reaches for the present.
We do not seek to resurrect these ghosts; rather, we summon them–not to repeat, but to question.
To ask: Who was left out? Who was silenced? What was lost?
Nation not as a monument, but as a spectre we must learn to live with.

The weight of responsibility

To curate is to carry. Not just knowledge, but burden, privilege, and care.
We do not own the stories. We are entrusted with them.
Responsibility is not a duty. It is a relationship.

Let the work change

Process is a living body.
It grows. It shifts. It breaks. It flows.
The work may become something we never intended.
To let go is not failure. It is freedom.

In being lost and then found in translation (in the in-between)

We come from different lands, languages, pain.
We are not united by sameness. We are united in sharing.
We do not erase differences. We embrace them.
We dwell in the “and”
Our islands are distinct, yet connected.
Not in one, but in layered meanings.

The walls–we build together–shall stand upright

The wall not as barrier, but as boundary.
An acknowledgement of our limits.
A protection. Built by hands, not decree.
With earth, wood, clay.
Standing not because it is strong, but because it is shared.
We breathe. Ea.

To be on this journey.
To be together–in vulnerability, curiosity, grief, mourning, hope.
To hold and heal.

  • Gwangju Biennale International Curator Course 2025

    The Gwangju Biennale International Curator Course(GBICC) is an immersive on-site program designed to support emerging curators, theorists, and cultural practitioners from around the world. The 2025 edition, facilitated by guest professor Binna Choi and titled On Nationhood and Curatorial Practice, produced the Curatorial Protocol included here. Collaborators: Stephanie Bailey, Tiffany Beam, Olivia Berkowicz, Drew Kahuaina Broderick, Sophia Cai, Priyankar Bahadur Chand, Erfan Chiasi, Binna Choi, Sebastian Cichocki, Andrew Cummings, Carla Forbes, Avery Gordon, Nisma Hamid, Sandev Handy, Sunjoo Jung, Kahyun Lee, Alphae Reciel Marfa, Hyein Park, Kay Min Soh, Vaishna Surjid, Aruma Toyama, Ana Ruiz Valencia, Vasil Vladimirov. With thanks to Jamaica Heolimeleikalani Osorio for the line: “States will do what states do.”

Contact
The Korean Pavilion
The 61st International Art Exhibition of La Biennale di Venezia
Visitor Information
Exhibition Period: May 9 - November 22, 2026
Opening Hours: 10:00 - 18:00